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Absolute Essentials Beginners Workshop - March 2015

2/17/2015

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Fast Mini Course in the Absolute Essentials for Absolute Beginners

PictureSee if we move Shambles - my puppy, over a bit, there will be room for more. (Photo of JBay art studio)
It is a great privilege to start the Journey into water colour with aspiring new artists.  After moving from Jeffreys Bay to Plettenberg Bay I have longed to begin classes and now with a little push the adventure begins again.  

Finding the right venue is always a struggle and my loft studio is really only built for one, maybe two at a squeeze, so this has been the delay.  My husband says, just paint in the house at the big yellow wood table and take just a few participants, instead of my normal large groups.  So lets see how this goes....

Starting in March, three dynamic sessions will be the boost you need to lift your confidence and inspire you to bring to paper the artistic longing of your Heart.

What will we learn?

Lesson One:
  • How to stretch your paper
  • Brushes - all you need to know
  • Mixing and pouring, painting and splashing, and other fun techniques
  • How to make the most of a limited colour palette with tonal gradations
  • Making trees "grow" and look real
  • Reflections that glow

What to Bring ?

For a detailed explanation of art materials click HERE to know more.  
  • Bring your water colour paper - nothing less than 300 grams
  • Cotman (Winsor & Newton student range) tubes of paint specifically cerulean blue, cobalt blue, prussian blue, ultramarine blue, burnt sienna, raw sienna
  • Palette for mixing paint 
  • Brushes - rounds and flats (see link to art materials)
  • Water container, spray bottle, old towel, paper towel, apron, natural sponge, an old toothbrush

Examples of tonal gradation

Picture
Joy Truscott - more examples of a limited palette exploring tonal values
Picture
Joy Truscott - Billowing clouds and trees
Picture
In one lesson, this is what young Christopher Williams achieved. 2013
Picture
Christopher Williams - an amazing young artist.
Picture
Joy Truscott - Trees and mist using limited palette and exploring reflections with tonal values
Picture
Joy Truscott - tonal values to create a sense of distance
It is wonderful to see what can be achieved with even a simple selection of colours.  



Picture
Picture
Lesson Two:

Glorious Colour - let's understand it.
Picture
  • What happens when we mix colour
  • Working out translucent and opaque colours and knowing when best to use them
  • Creating glowing under washes with flowing colours
  • How to read and use the colour wheel
  • Creating the mood and atmosphere with the use of colour
  • Making soft grey tones that vibrate with colour
  • Creating gems that lift a painting to mastery

PictureGem Colours Exercise
What to Bring?
Everything from last lesson and colours in Winsor Newton Cotman range: 
Plus a large drawing book A3 size of heavy cartridge paper

Yellows: Cadmium yellow, Lemon yellow, Raw Sienna or yellow Ochre 
Blues:     Ultramarine, Cerulean, Cobalt, Prussian
Reds:      Winsor red, Cadmium red, Rose Madder or Alizarin Crimson
Violet:     Dioxazine violet
Browns:  Burnt Sienna, Burnt Umber
Orange:   Chrome orange or Cadmium orange


Refer to the materials list and just bring the colours you have, no need to 
purchase all of these at once



Picture
Letting colours flow - painting by my Mom, Gwynneth Horn.
Picture
Flowing and pouring glorious colour - Joy Truscott
Picture
Less is more, letting the colour and the vibrancy tell the story - Joy Truscott

PictureWhite flowers at the window - Joy Truscott
Lesson Three 

Saving Whites - all the tricks and techniques 


We will learn how to save the white of the paper as this is one of the most challenging aspects of water color painting, keeping the work crisp and clean with fresh whites that bring dazzle to a painting.


What to Bring?

Masking fluid 
Paper towel
Natural sponge
Coarse salt
Spray bottle
Masking tape


We will learn
  • When to use masking fluid and when not to
  • How to save whites without masking
  • The pros and cons of using a blocking or masking agents
  • How to get white backs and save deteriorating paper

Picture
Techniques demonstration for Plett Art Association
Picture
Techniques demonstration - Joy Truscott

1 Comment
Julian link
8/20/2021 05:38:54 pm

Appreciate you blogging tthis

Reply



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